|
|
M | R
|
|
 |
 Machines
| Machines
[Rahul Jain, 2016]
|
|
Machuca
[Andrés Wood, 2004] |
|
Manila
en las garras de las tinieblas | Maynila: Sa mga kuko ng liwanag
[Lino Brocka, 1975] |
|
Margin
call | Margin call
[Jeffrey McDonald Chandor, 2011] |
|
 María,
matrícula de Bilbao
[Ladislao Vajda, 1960]
|
|
Marie-Line
| Marie-Line
[Mehdi Charef, 2000]
|
|
Martin Eden
| Martin Eden
[Pietro Marcello, 2019]
|
|
Más
poderoso que la vida | Bigger than Life
[Nicholas Ray, 1956]
|
|
Matewan
| Matewan
[John Sayles, 1987] |
|
Matria
[Álvaro Gago Díaz, 2023]
|
|
Memoria
del saqueo
[Fernando E. Solanas, 2004]
|
|
Mercado
de futuros
[Mercedes Álvarez, 2011]
|
|
Metrópolis
| Metropolis
[Fritz Lang, 1927] |
|
Mi
nombre es Joe | My name is Joe
[Ken Loach, 1998] |
|
Mi
vida es mi vida | Five Easy Pieces
[Bob Rafelson, 1970] |
|
Miradas
y sonrisas | Looks and smiles
[Ken Loach, 1981]
|
|
Moscú no cree en las lágrimas | Moskva Slezam ne Verit
[Vladimir Menshov, 1979]
|
|
Mundo
grúa
[Pablo Trapero, 1999]
|
|
Muchachas | Devchata
[Yuri Chulyukin, 1961]
|
|
Murieron
por encima de sus posibilidades
[Isaki Lacuesta, 2014]
|
|
My
Father's Wings | My Father's Wings
[Kivanc Sezer, 2016]
|
|
Nada
[Albert Pintó y Caye Casas, 2014]
|
|
Next
Stop: Utopia | Epomenos stathmos: Outopia
[Apostolos Karakasis, 2015]
|
|
No
| Non
[Eñaut Castagnet y Ximun Fuchs 2017] |
|
No táxi do Jack | No táxi do Jack
[Susana Nobre, 2021] |
|
Nomadland
| Nomadland
[Chloé Zhao, 2020] |
|
Norma
Rae | Norma Rae
[Martin Ritt, 1979] |
|
99 Homes | 99 Homes
[Ramin Bahrani, 2014] |
|
Nubes
pasajeras | Kauas pilvet karkaavat
[Aki Kaurismäki, 1996] |
|
Nuestras pequeñas batallas | Nos batailles
[Guillaume Senez, 2018] |
|
Nuestro
pan de cada día | Unser täglich Brot
[Nikolaus Geyrhalter, 2005] |
|
Numax
presenta...
[Joaquín Jordá, 1980] |
|
Odio
en las entrañas | The Molly Maguires
[Martin Ritt, 1969] |
|
Oliver Twist | Oliver Twist
David Lean [1948] |
|
Operai,
contadini | Operai, contadini
[Danièle Huillet y Jean-Marie Straub, 2001]
|
|
Oro blanco | The County
[Grimur Hakonarson, 2019]
|
|
Osama | Osama
[Siddiq Barmak, 2003]
|
|
Pago
justo | Made in Dagenham
[Nigel Cole, 2010] |
|
Pan
y rosas | Bread and roses
[Ken Loach, 2000] |
|
Parásitos
| Gisaengchung
[Bong Joon-ho, 2019] |
|
París,
París | Faubourg 36
[Christophe Barratier, 2008] |
|
Patria
[Felice Farina, 2014] |
|
Pelle
el conquistador | Pelle erobreren
[Bille August, 1987] |
|
Percy | Percy
[Clark Johnson, 2020]
|
|
Perdónanos
nuestras deudas | Rimetti a noi i nostri debiti
[Antonio Morabito, 2018]
|
|
Pídele
cuentas al rey
[José Antonio Quirós, 1999]
|
|
Plácido
[Luis García Berlanga, 1961]
|
|
Planta
permanente
[Ezequiel Radusky, 2019]
|
|
Preguntas
a un obrero que lee
[Hugo Colombini, 2015]
|
|
Primavera en la calle Zarechnaya | Vesna na Zarechnoy ulitse
[Marlen Khutsiev y Feliks Mironer, 1956]
|
|
Primer | Primer
[Shane Carruth, 2004]
|
|
Primavera en la calle Zaréchnaya | Vesna na Zarechnoy ulitse
[Marlen Khutsiev y Feliks Mironer, 1956]
|
|
Propiedad
condenada | This Property is Condemned
[Sydney Pollack, 1966]
|
|
Push,
mucho más que gentrificación | Push
[Fredrik Gertten, 2019]
|
|
Quai
du Point-du-Jour | Quai du Point-du-Jour
[Jean Faurez, 1960] |
|
¡Qué
verde era mi valle! | How green was my valley
[John Ford, 1941] |
|
Queridos
camaradas | Dorogie tovarishchi!
[Andrei Konchalovsky, 2020] |
|
Rebelión
de los Godínez
[Carlos Morett, 2020] |
|
Recursos
humanos | Ressources humaines
[Laurent Cantet, 1999] |
|
Reevolution
[David Sousa Moreau, 2019]
|
|
Réimon
[Rodrigo Moreno, 2014] |
|
ReMine,
el último movimiento obrero
[Marcos M. Merino, 2014]
|
|
Riff-Raff
| Riff-Raff
[Ken Loach, 1991] |
|
Rocco
y sus hermanos | Rocco e i suoi fratelli
[Luchino Visconti, 1960] |
|
Roma
a las 11 | Roma ore 11
[Giuseppe de Santis, 1952] |
|
Rompiendo
las olas | Breaking the waves
[Lars von Trier, 1996] |
|
Rosetta
| Rosetta
[Jean-Pierre y Luc Dardenne, 1999] |
|
Ruta
infernal | Hell drivers
[Cy Endfield, 1957] |
|
|
